Introduction to my Drawings
There’s a maxim in traditional art academies that if you want to learn how to paint well, you must first learn how to draw. If you can draw well, you can paint anything. Drawing is in fact the foundation of every realistic painting.
I agree wholeheartedly. A drawing enables me to work out a composition and the value relationships in the shapes in and around the subject. I feel the exercise of drawing before painting strengthens my visual memory as well.
Many of my paintings begin with a careful sketch that I later transfer to a panel or canvas for painting.
Below is a selection of my favourite drawings of heads and figures.
Portraits
Aaron and Duke
Portrait of a Man, after Rembrandt
Mrs. Woolfson, after Annigoni
Head Study, H. V. Questenberg Portrait
Pearl
Caesar
Head Study 1, after Bouguereau
Leda, after Da Vinci
Leda, after Michelangelo
Head Study for The Sense of Sight, after Swynnerton
Head Study for Jeanne, after Bouguereau
Skull Study, after Colleen Barry
Still Life Waiting